So, I saw Jupiter Ascending.
I really liked it.
A lot of people didn't like it.
These are the same people who complain about a lack of originality in Hollywood.
So, fuck 'em.
And from this point on, I'm going to actively repel people in my life who do not want me to succeed.
This isn't a matter of being a snob.
Saying you will succeed isn't snobbish. Dismissing someone's accomplishments is snobbish.
It's the definition of being a snob.
It's an unwarranted criticism from someone who doesn't deserve the time of day.
I wanna succeed, and I'm going to surround myself with people who want to succeed.
And I'm going to hang around people who are in touch with me creatively on a larger level.
Nicholas Meyer didn't watch a lot of Star Trek. If he did, it might have stunted him from pushing the series forward. He dug into things he was passionate about. Mainly, Napoleonic naval warfare. And he bled that into Star Trek, and he created some of the greater films in the series.
A lot of people look at the culture at large as some sort of get rich quick scheme. Sometimes it works, even to the point where it makes a good artist angry and loathsome.
But it doesn't last long. All con artists get caught eventually.
It takes a balance. A lot of people wanna be Kubrick. They treat the film they're working on like they're Kubrick. No studio today is going to give a young director Kubrick money or Kubrick power.
But Kubrick didn't have access to the things a lot of young filmmakers have access to.
It's both easier and harder to be a filmmaker.
It's easy to do things. But society wants more. Hitchcock might not have been able to maintain a social media campaign. It is what it is.
And maybe we're a better society because of it.
Maybe Hitchcock getting caught on his bullshit if he were to live in the modern era would be a good thing. Like Bill Cosby.
It's a new world. Plan accordingly. A lot of history is nostalgia, so beware putting the past on a pedestal. Opera was a crude artform for poor people. People with class stayed home and sang madrigals. It's in Gone With The Wind.
There's so much room so for so many interesting opportunities.
There's a project I've been thinking about.
I've been thinking about it since 2007.
Since high school.
It's something that always comes back to my mind when things get hard.
For this project to exist, I'm going to need thirty million dollars.
Now, there are many other projects I have to execute before I can get to this.
This project is my Ganondorf. It's my Ganon.
I died a lot of times before I got to Ganondorf. Not just that, I took time off and did other things because life got in the way.
When I was a kid playing Legend of Zelda for the first time, I didn't realize I had to light the Deku Stick on fire. I was in that chamber for a good three days.
It seems silly, and it is. But, eventually, with time, you play the game, you beat Ganondorf, and you beat Ganon.
It's not about how slow you go, as long as you finish, so said Confucius (although people wonder if Confucius actually existed, blahblahblah, cognitive dissonance, little picture)
The point is, there's going to be a lot of time focusing in on this thing. Maybe someone else could have come along and done a better job. But they are not here right now, and I am. And after that's done, we move onto Majora. Did I ever beat Majora? I don't even remember...
And as long as there's something to do (which there is a lot of), I'm going to keep showing up till said thing is done.
I always thought I was guilty to aim for something like this.
But in order to acquire that kind of opportunity, you're going to need to do 30 million dollars of work. And to get the results you want, you have to be better than the results that you want. Everyone thinks they're underpaid at their job. This will be no different.
But the truth is, I plan to exceed those expectations. And not feel guilty if things turn out right.
You can't be afraid of success.
I mean, it's life right? And we know we're gonna die right? And the haters don't follow us to the afterlife right?
So, what's the problem?
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